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Dailies: Building Bridges Between Production and Post-Production (post-production workflow guide)

Ever wonder how footage shot on set during the day makes it to post-production within hours? That's where the dailies team comes in. We’re the unsung heroes, the essential bridge that connects production to post-production. Post Production Workflow from Dailies Colorist's Seat 1: Introduction to Dailies & Receiving Footage Post Production workflow / journey starts when the footage arrives via shuttle drives from the on-set DIT, DAT, or loader. We move swiftly to offload and i

Workflow

Apr 5, 20253 min read

DaVinci Resolve 21: An AI-Driven Post-Production Evolution

Paradigm Shift in Post-Production Forget everything you knew about post-production. DaVinci Resolve 21 has arrived, fusing video, audio, VFX, and for the first time still photography into one seamless, AI-powered system, ending the era of painful round-tripping. Unveiled at NAB, this release leverages the DaVinci Neural Engine to move you away from repetitive tasks like rotoscoping and logging, straight into high-level creative direction. We’ll break down this architecture, f

Understanding the Differences Between 13 Bit ARRI RAW and 16 Bit RED RAW

1. Introduction: Demystifying RAW Bit Depth in Digital Cinema ARRI and RED stand as prominent innovators in the digital cinema camera market, each establishing a distinct presence through their unique engineering philosophies and product offerings. ARRI is widely recognized for its "filmic" aesthetic, celebrated for organic images, natural skin tones, and exceptional reliability, making its cameras a staple in high-end feature film and television productions.1 Conversely, RED